Compressor 4.2.2 install#
Compressor 4.2.2 pro#

Sure, you can get a fantastic shot from a JPG if your cameraвЂ™s set just right. ItвЂ™s a little bit like the difference between JPG and RAW (although 10Bit 4:2:2 still isnвЂ™t raw video). If you need to start doing chroma key, or colour grading, then it will make a big difference. If youвЂ™re basically shooting, editing and rendering straight back out with no colour correction or grading and no fancy special effects, then probably not. This means that every single pixel in each 4Г—2 pixel grid of a sensor records its own unique colour information.Дo you really need it? Well, the answer is largely that вЂњit dependsвЂќ. The best possible amount of informationВ 4:4:4 footage. The extra 2 Bits of data bump the number of possible colours each of those pixels can be from 1 in 16.7 million to 1 in over 1 billion possible colours. This results in much cleaner footage for things like green screening. These colour pixels are then expanded to fill in the gaps.ДЎ0Bit 4:2:2 means that for each 4Г—2 pixel grid, 2 colour pixels are recorded from the first row, as well as 2 from the second row. This means for every group of 4 horizontal x 2 vertical pixels, it records colour from two of the top row, and zero from the second row.

Activate QuickCluster for dynamic configuration of nodes based on available resources.The way most current DSLRs work is that they capture 8Bit 4:2:0 footage.

Compressor 4.2.2 pro#

Speed up encoding in Final Cut Pro by choosing a Compressor cluster for output processing.

Compressor 4.2.2 install#

Install Compressor on any Mac to activate it as a cluster node for distributed encoding.Save time by distributing encoding work among multiple cores and workstations.Speed up video, slow it down, or adjust the frame rate to make the duration match a runtime.Clean up and customize your content using image filters, a timecode overlay, and watermarks.Convert any file from its source format to another format, such as NTSC to PAL or SD to HD.

Tap into advanced encoding features for adding closed captioning, metadata, and more.

Import Targa, DPX, TIFF, PSD, or PNG image sequences and encode them to any setting.

Generate files for HTTP live streaming in a single step.

Encode to a broad range of industry-standard formats, such as MPEG-2, H.264, and ProRes.

Add chapter markers for discs or podcasts distributed on iPad, iPhone, iPod, or Apple TV.

Work with a choice of themed menus to encode and burn a DVD or Blu-ray disc.

Use one-step settings for Apple devices and websites such as Vimeo, YouTube, and Facebook.

Create self-contained Droplets to encode on the desktop with drag-and-drop ease.

Build batch templates to combine encoding with tasks such as moving or copying files.

Set up batch processes to streamline the encoding of large numbers of files.

Find exactly the setting you need in just a few clicks in the updated settings library.

Experiment freely with encoding options, using real-time feedback in the Preview window.

Share settings with other editors, even if Compressor isnвЂ™t installed on their workstations.

Save your custom settings in Compressor they automatically appear in Final Cut Pro.Choose from a wide array of codecs, sizes, frame rates, and other parameters.Use Compressor to customize encoding settings available in Final Cut Pro.Customize output settings, work faster with distributed encoding, and tap into a comprehensive set of delivery features. CompressorВ adds power and flexibility to Final Cut Pro X export.